Viewing 15 posts - 1 through 15 (of 15 total)
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  • #5249

    Michael Sanchez
    Keymaster
    • Contribution Score 567

    Hi everyone,

    In this video, you will get three great tips that will help you improve your sound on the violin, viola or fiddle. Let me know if you have any questions. Keep playing!

    #6070

    William Bickerstaff
    Participant
    • Contribution Score 290

    Thanks for this. I had no clue that arm position effects the sound that much.

    #6563

    karen l
    Participant
    • Contribution Score 27

    Thank you so much for the amazing tips!

    #6730

    acrandell13
    Participant
    • Contribution Score 7

    Thank you so much. I really appreciate all the helpful posts!

    #6786

    karen l
    Participant
    • Contribution Score 27

    I check back on this every time I struggle

    #6798

    Mariko
    Participant
    • Contribution Score 281

    Thanks so much for these great tips! I didn’t know that the height of the arm influences the quality of the tone either. Very interesting. Will experiment with this today 😉

    #6925

    Three Chord Monte
    Participant
    • Contribution Score 31

    I need to watch my arm in mirror.

    #10018

    margaretellen
    Participant
    • Contribution Score 98

    What is the name of this instructor? I really enjoy his videos and would love to see more!

    #11036

    Dianne Adkins
    Moderator
    • Contribution Score 325

    One of the main things I work on with students is tone production. Who wants to listen to a violin with poor tone? No one! I use a specific exercise called ‘The Tonalization’ which is an arpeggio exercise in G major and G minor found in Book 2 of Suzuki Violin Method. You can use any similar exercise, but it should be memorized and simple. Then I modify it by playing two full bows on each note. The idea to engage the full length of the bow, and maintain control of three things from frog to tip. The three ‘elements’ of beautiful tone are WEIGHT, SPEED and CONTACT POINT (where to bow touches the string). Each element must be consistent from frog to tip. Usually each player has a problem with one of the three elements. So after you have mastered your bow grip and arm motion, if your tone is still not brilliant, try considering the three elements of beautiful tone. Break it down, working on each idea separately as you play, until you are sure you’re consistent with these three issues. Remember, LISTEN to your fingers, but LOOK at your bow. Happy tone, everyone!

    #14198

    Chirag Chauhan
    Participant
    • Contribution Score 20

    Thank you for the valuable tips. Very useful.

    #14263

    Esther_Meza
    Participant
    • Contribution Score 32

    Thank you for the useful tips Gregory, too often when I play I get caught up in the music, and I don’t realize that I can get a better sound if I just follow the basic steps.

    #15883

    Priscilla Gaskins
    Participant
    • Contribution Score 91

    Good tip

    #16841

    HDuaneaz
    Participant
    • Contribution Score 99

    I have really noticed that as I relax both of my hands I get better sound. I agree all. Thanks to both of you for the tips.

    #16849

    Brandon.jones085
    Participant
    • Contribution Score 27

    This is a great video and exactly what I have been focusing on recently.Thanks for posting!

    #18973

    EL Go
    Participant
    • Contribution Score 43

    Thanks Professor Maytan, You cannot say it enough…keep the bow arm and hand relaxed. It seems that every part of the body, mind and spirit must be disciplined, engaged and relaxed. There are so many aspects to pay attention to at the same time so focusing in on one thing at a time is important. Thank you also Dianne. WSCp-Weight, Speed, Contact point. Ok…practise time!!!

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